Farewell Tavern on the Green

tavern on the green
Tavern on the Green 1934

I am saddened that Tavern on the Green will be closing. I was a founding member of a Tavern house band that performed jazz there regularly in 1998 – 2001. They were sometimes brutal gigs but they paid the rent and kept my fingers warm while I was in grad school. I was fortunate to work with excellent musicians who couldn’t help but make serious music even when nobody else seemed to be listening.  Tavern was no longer exactly cool nor was it a haven for foodie hipsters but that is what made ultra special – one of those vanishing old New York places that had so much history that it did not give a damn. Like a proud old silent movie actor, Tavern loudly (and sometimes drunkenly) reminded you of it’s heyday and ignored its obvious decline and increasing irrelevance.  There was soul underneath all of those layers of kitsch that made it not at all embarrassing to be overtaken by the in-your-face romance of all of those ridiculous lights and mirrors. No matter how mediocre the food and unglamorous the clientele, somehow Tavern was still a place Grace Kelly might pull up to in a horse drawn carriage at any minute. We played some mean Cole Porter for her on those nights I can assure you.

Nudge – a seriously fun browser synth

The subversive geniuses at Hobnox have just released one of the most musical browser based synths I have ever played. Nudge enables you to step-enter 8 sounds into a looping 4/4 grid. The grid is pentatonic instead of full chromatic but there is still a surprising amount of creative flexibility. It is as fun to just throw a lot of stuff in there and then reduce it down as it is to carefully build things up one piece as a time.  You can adjust volume and pan for each sound and set the master volume and tempo. Once you are pleased with your little creation send it on to your friends with the included permalink or embed the player on your site like I have below. This thing is dangerously addictive if you have a synth problem.

The Stark Reality and Hoagy Carmichael

Before American child rearing became neurotic and consumerist there was a time when we produced some really sophisticated, whimsical children’s television. Hoagy Carmichael’s Music Shop is one of these strange and charming experiments. Hoagy Carmichael shares the music with the excellent funk band  The Stark Reality and there is some seriously trippy animated musical notation and melancholy photographs of children playing. I find the whole combination very reassuring.

The Cigar Box Synth

Critter and Guitari keypad cigar box synthesizer
Critter and Guitari keypad cigar box synthesizer

Back when I was a wee lad my Dad used to bring me empty cigar boxes to play with. I had dozens of them. Some were converted into garages for matchbox cars, some became building materials, others were used to store priceless assets like string and wires. When I was about the same wee age, one of my favorite Christmas was one of those Science Fair 40 in 1 electronic science kits (bought at RadioShack of course). One of the coolest things you could build was a monophonic sine wave generator. I liked to hook it up to a telephone keypad. The mad scientists at Critter and Guitari have managed to combine these two seemingly disparate elements of my childhood into one working instrument : The Keypad Cigar Box Synthesizer. Brilliant.

Don’t Forget Octaves

In the last couple of years I have managed to achieve a noticeable improvement in my overall piano technique by focusing on scale and arpeggio excersizes. One piece of sloppiness remains – octaves. I am often sloppy in RH and worse in LH and I have difficulty doing accurate boogie woogie LH broken octaves. I have managed to scrounge up some useful octave exercises to address this and they appear to be helping. (though I am just starting this) Octave practice is pretty exausting so be careful and do not overuse arm motion as it tends to tire you out faster and negatively impact accuracy.

1. Regular and slurred octave scales  CD DE EF FG GA AB BC C

2. Octave arpeggios varying the accent points

3. Single note octaves toggling from eighth-triplet-sixteenth

If you are feeling brave there is also the czerny octave studies [pdf]. I have not made it far with these yet.

My Favorite Lush Lifes

Anyone who knows me well knows that this is one of my favorite standards. I have been working on it since I was about the same age as Billy Strayhorn when he first started writing it – 16. It is a very subtle and difficult to play really well. I think I can finally do it pretty good justice now on a good day. One of my favorite straight instrumental performances is by Phineas Newborn Jr. A tragic genius of jazz piano plays a tragic song written by a tragic genius songwriter. What could be better?

For vocal versions it is Johnny Hartman with the John Coltrane Quartet. Of course.

The desert grew quiet last night

Lawrence of Arabia: Original Soundtrack
Lawrence of Arabia: Original Soundtrack

The brilliant and prolific Maurice Jarre passed away on Sunday. He wrote and recorded the entire score to Lawrence of Arabia in an astonishing 6 weeks – in reverse order. He achieved this by sleeping for 10 minutes every three hours for days at a time. One has to wonder if the crazed schedule and sleep deprivation added some useful DNA to the score. I have always loved the romantic, epic hugeness of this music. His aggressive use of timpani seems to perfectly convey the sudden release of trapped energy that one feels must lurk below the surface in vast, quiet spaces. The melody to the main theme is simple and instantly memorable yet it retains a fresh mystery throughout the film. Sadly, I have still only ever seen it on a wheezing 12 inch TV but I have listened to the score many times. It is definitely time to experience the real deal soon.

An Afternoon with Blossom

An Afternoon with Blossom

I’ve been listening to a lot of Blossom Dearie since learning of her death. What a loss.
I had the good fortune to do a recording with her a few years back. I was doing the sound and incidental music for a Children’s TV pilot for my friends Bob and Anniken. They had managed to convince Blossom to record I Wanna Be Loved by You for the theme song. I had been playing a lot of gigs with an excellent bass player (Nick Walker) and drummer (Matt Jorgenson) that year so I offered their services and my studio. On the afternoon of the session, the three of us rehearsed and recorded several instrumental versions of the song. My intention was to run the board when Blossom showed up and let my colleagues be her backing musicians. I was nervous and excited to have Blossom coming over to my humble home studio and found myself neurotically triple checking levels and taping down anything that could rattle. We had been warned that she could be somewhat quirky and demanding. Bill Read makes good mention of this aspect of Blossom in his excellent Blossom post. It was an extremely hot August day and I was going to be forced to turn off my clunking old A/C once we started recording in order to get a reasonable sound quality. Recording in 100 degrees is a lot ask of someone who isn’t quirky and demanding!

Blossom arrived and we ran through the song for her a couple of times with the air still on. She had never performed the song before and decided that she would prefer not playing piano and instead concentrate on the vocal. Yikes – I had not thought of that! Blossom has a refined and inimitable piano style that is perfectly matched to her voice and the idea of me accompanying her filled me with dread. Fortunately, the rumors about Blossom were false that day. She was kind, friendly and professional and she put us all at ease. She sat at the piano with me and showed me a some chord voicings that she felt would work and she came up with a charming arrangement on the spot. She seemed to get a kick out my jerry rigged studio and we all had a good laugh when I stumbled around trying to run from hitting record on the tape machine in the bedroom and playing the piano in the main room. We recorded three takes of the song and she was back in an air conditioned car before the room got too hot. It was just a throwaway session for Blossom but it was a real thrill for me and my mates. This was the result of our efforts:

RIP Angela Morley

I was sad to hear of the passing this week of the gifted arranger, orchestrator and composer Angela Morley. Morley’s evocative and subtle work on many of the TV Dramas of my youth (Dallas, Dynasty, Hotel etc) still play in my head as the background music of my childhood and was often many magnitudes higher quality than the show itself. Morley composed the wonderful soundtrack to Watership Down, arranged for Mel Torme, Rosemary Clooney, Marlene Dietrich, Noel Coward, Petula Clark and Dusty Springlfield and worked as orchestrator/arranger and often uncredited composer on many of John Williams’ great scores including ‘The Empire Strikes Back’, ‘E.T.’ and ‘Schindlers List’.

Below is a snippet from a 2005 BBC broadcast: